Frieder Nake //

Frieder Nake is a mathematician, computer scientist and pioneer of computer art. Nake participated in important group shows of the 1960s such as Cybernetic Serendipity (London, UK, 1968), Tendencies 4: Computers and Visual Research (Zegreb, Yugoslavia, 1968), Ricerca e Progettazione. Proposte per una esposizione sperimentale (35th Venice Biennale, Italy, 1970) or Arteonica (São Paulo, Brazil, 1971). His book Ästhetik als Informationsverarbeitung (1974) was one of the first to study connections between aesthetics, computing and information theory, which has become important for the transdisciplinary area of digital media. Frieder Nake has been professor of interactive computer graphics at the Department of Computer Science in Bremen, Germany, since 1972. Since 2005, he has also been teaching digital media design there. He won the First Prize of the Computer Art Contest of Computers & Automation in 1966.

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Frieder Nake //

Frieder Nake is a mathematician, computer scientist and pioneer of computer art. Nake participated in important group shows of the 1960s such as Cybernetic Serendipity (London, UK, 1968), Tendencies 4: Computers and Visual Research (Zegreb, Yugoslavia, 1968), Ricerca e Progettazione. Proposte per una esposizione sperimentale (35th Venice Biennale, Italy, 1970) or Arteonica (São Paulo, Brazil, 1971). His book Ästhetik als Informationsverarbeitung (1974) was one of the first to study connections between aesthetics, computing and information theory, which has become important for the transdisciplinary area of digital media. Frieder Nake has been professor of interactive computer graphics at the Department of Computer Science in Bremen, Germany, since 1972. Since 2005, he has also been teaching digital media design there. He won the First Prize of the Computer Art Contest of Computers & Automation in 1966.

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The DDAA celebrates the oeuvre of a major artist in the field of digital media. Someone who created an own distinctive aesthetic language and persued a professional career for longer periods. We acknowledge  the creativity and originality of this artist’s accomplishments with a respectable amount of money, a solo-show of his art and an accompanying catalogue.

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